Water Music (Selection) Air - Aria - Hornpipe - Minuet (Handel) - Cantate Domino

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Water Music (Selection) Air - Aria - Hornpipe - Minuet (Handel)

Organ
George Frideric Handel

    • Air
    • Aria
    • Hornpipe
    • Minuet
View or download the score
Air from Water Music - Handel
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Aria from Water Music - Handel
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Hornpipe from Water Music - Handel
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Minuet from Water Music - Handel
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Air: James Flores, St Matthew’s, Albury, New South Wales, Australia
Hornpipe: Marko Hakanpää, (Grönlund organ) St. Michael’s Church, Turku, Finland
The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I’s request for a concert on the River Thames.

The first performance of the Water Music suites is recorded in The Daily Courant, the first British daily newspaper. At about 8 p.m. on Wednesday, 17 July 1717, King George I and several aristocrats boarded a royal barge at Whitehall Palace, for an excursion up the Thames toward Chelsea. The rising tide propelled the barge upstream without rowing. Another barge, provided by the City of London, contained about 50 musicians who performed Handel’s music. Many other Londoners also took to the river to hear the concert. According to The Courant, “the whole River in a manner was covered” with boats and barges. On arriving at Chelsea, the king left his barge, then returned to it at about 11 p.m. for the return trip. The king was so pleased with the Water Music that he ordered it to be repeated at least three times, both on the trip upstream to Chelsea and on the return, until he landed again at Whitehall.

King George’s companions in the royal barge included Anne Vaughan, the Duchess of Bolton, the Duchess of Newcastle, the Duke of Kingston, Madam Kielmansegg, the Countess of Godolphin, and the Earl of Orkney. Handel’s orchestra is believed to have performed from about 8 p.m. until well after midnight, with only one break while the king went ashore at Chelsea.

It was rumoured that the Water Music was composed to help King George steal some of the London spotlight back from the prince who, at the time, worried that his time to rule would be shortened by his father’s long life, was throwing lavish parties and dinners to compensate for it. The Water Music’s first performance on the Thames was the King’s way of reminding London that he was still there and showing he could carry out gestures even grander than his son’s.


This article is licensed under the GNU Free Documentation License. It  uses material from the Wikipedia article "Metasyntactic variable."

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